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The Reverse Centaur's Guide to Life After AI by Cory Doctorow review – the real price of artificial intelligence

The Guardian

Cory Doctorow speaks at a digital society conference. Cory Doctorow speaks at a digital society conference. The Reverse Centaur's Guide to Life After AI by Cory Doctorow review - the real price of artificial intelligence A s former Google CEO Eric Schmidt could tell you, AI is a hard sell these days. Last month, he tried talking up the AI revolution during a commencement address at the University of Arizona and was loudly booed by students about to enter an AI-ravaged job market. Schmidt is not the only AI booster to crash out with students recently as the popular backlash grows.


From pwned to kiting – an A to Z of the gaming terms you need to know

The Guardian

Our dictionary of gaming terms helping you make sense of video game'slopaganda'. Our dictionary of gaming terms helping you make sense of video game'slopaganda'. As phrases like easter eggs and looksmaxxing enter everyday language, what other words from the world of video games might soon be mainstream? T wenty years ago, video games were seen as a niche hobby dominated by hardcore enthusiasts, tucked away in obscure online forums and gaming meet-ups. Back then, the idea that governments would use footage from Call of Duty and gaming terms such as "killstreaks" as war propaganda would have been absurd.


Granta stops publishing short story award winners over AI controversy

The Guardian

Granta said it would no longer be involved in'external publishing partnerships' in which it had no editorial control. Granta said it would no longer be involved in'external publishing partnerships' in which it had no editorial control. Literary magazine will no longer engage in'external publishing partnerships' after Commonwealth prize furore The prominent literary magazine Granta will no longer publish the winning entries of the annual Commonwealth short story prize after one of this year's winners drew widespread accusations of AI use. The magazine said it would no longer be involved in "external publishing partnerships" in which it had no editorial control. In a statement to the Guardian, Granta said: "The 2026 selection of the regional winners of the Commonwealth prize caused a great deal of controversy, based on the speculation that one or more of the stories may have been at least partially AI-generated, accusations that were strongly rejected by the authors. "For the sake of our own editorial integrity, the Granta Trust board has now taken the decision that we will no longer engage in external publishing partnerships.


Eight trends I've noticed from watching hour of livestreams from Nintendo, PlayStation, Xbox and more

The Guardian

Eight trends I've noticed from watching hour of livestreams from Nintendo, PlayStation, Xbox and more Don't get Pushing Buttons delivered to your inbox? D id spend hours of your weekend watching a relentless series of video game adverts? No? I don't blame you - Summer Game Fest, the collection of livestreams that has arisen in place of the giant annual E3 video game expo in Los Angeles, is extremely overwhelming. There are the bigger, longer shows: the PlayStation and Xbox streams, the main SGF show hosted by Geoff Keighley and Lucy James, Future's duet of the Future Games Show and the PC Gaming Show. Each show is two hours long.


They expect you to die! The history of James Bond video games, from the good to the bad to the downright ugly

The Guardian

They expect you to die! Interactive takes on MI6's globetrotting spy have been around almost as long as the films, but that doesn't mean all of them were a success. 'The enormity of the idea helped me': how Patrick Gibson became gaming's new James Bond Bond finally arrived in an official video game capacity in 1984, courtesy of Parker Brothers. The game grouped several 007 adventures (Diamonds Are Forever, The Spy Who Loved Me, Moonraker and For Your Eyes Only) together. Yet despite including elements from each movie, it was essentially the same game throughout: an unsatisfying and tricky mashup of the arcade games Moon Patrol and Scramble, with the player controlling Bond's amphibious Lotus from The Spy Who Loved Me. Obscure pub trivia fact: due to the dispute between Bond producers Eon and screenwriter Kevin McClory, the Diamonds Are Forever segment replaced Blofeld with a villain named Seraffino.


'Like a billionaire on acid': Star Wars director Gareth Edwards comes out in favour of AI

The Guardian

'Like a billionaire on acid': Star Wars director Gareth Edwards comes out in favour of AI Speaking at Amazon's AI on the Lot event, the Rogue One film-maker Gareth Edwards said'it'll do anything you ask' and'it's going to be better than CGI' Jurassic World Rebirth and Rogue One director Gareth Edwards has enthusiastically endorsed the use of generative AI in film-making, saying "it is a fucking genius at helping you" and "it's going to be better than CGI". Edwards was speaking at AI on the Lot, an event in Culver City, California, organised by Amazon, and in remarks reported by the Hollywood Reporter said: "I can't see a reason why you wouldn't become interested in this stuff as a film-maker. It's so clearly a tool that might be up there with the camera. It's going to be better than CGI." Edwards said that AI is most useful in the preparatory stages of film-making, saying: "It's only good for iteration and discovering what the movie should be, and then once you know what it is, go in and start making it your movie." He added: "It has no taste whatsoever. It is a fucking genius at helping you. I view it like having a second-unit director who is a billionaire on acid. Like, it'll do anything you ask, not a problem. And you'll give it notes, and it'll be like, 'I don't do notes. I'll just do something totally different.' Edwards' positive view of AI was echoed by veteran writer and director Paul Schrader, who was also speaking at the event. In remarks reported by Deadline, Schrader said: "I don't think the real future of AI commercially is in all this flash, all these monsters - that's just jacked-up special effects on steroids," he said. "The real tip of the spear is when we can create an AI protagonist, not a hybrid, and that movie makes money.


'Obvious markers of AI': doubts raised over winner of short story prize

The Guardian

The Commonwealth Foundation said all entrants to the prize had avowed that their submissions were their own work. The Commonwealth Foundation said all entrants to the prize had avowed that their submissions were their own work. 'Obvious markers of AI': doubts raised over winner of short story prize Granta publisher says'perhaps we never will know' true authorship of work that won Commonwealth prize A few syntactical tics - and the verdict of an AI detection platform - have sparked a furore over the possibility that a short story given a prestigious literary award was written by AI. The foundation that awarded the prize and Granta, the magazine that published the winning story, said they had considered the allegations but had not reached a conclusion as to whether they were true. "It may be that the judges have now awarded a prize to an instance of AI plagiarism - we don't yet know, and perhaps we never will know," the publisher of Granta, Sigrid Rausing, said.


'Capitalism has to become more humane': a Stanford economist on big tech, power hoarding and democracy

The Guardian

'According to Kurz, technological moguls have long seen themselves as superior beings whose natural role is to shape society - so they have no problem disrupting the institution of democracy.' 'According to Kurz, technological moguls have long seen themselves as superior beings whose natural role is to shape society - so they have no problem disrupting the institution of democracy.' 'Capitalism has to become more humane': a Stanford economist on big tech, power hoarding and democracy T he billionaires of today are unusually aggressive in their hoarding of cultural and technological influence, according to Mordecai Kurz, a Stanford economist whose research connects monopoly power with political and economic inequality. In his new book, Private Power and Democracy's Decline, publishing 19 May, he argues the US is living through an extreme version of a pattern that has repeated itself since industrialization: technological power concentrating in the hands of a few, which is eroding democracy. According to Kurz, technological moguls have long seen themselves as superior beings whose natural role is to shape society - so they have no problem disrupting the institution of democracy.


Gotta catch an MP! Players 'debate' UK politicians in Pokémon-style game

The Guardian

Gotta catch an MP! Players'debate' UK politicians in Pokémon-style game Creator of Politidex hopes free online app will help humanise politics and act as a way of'flipping the narrative' The year is 2016 and Pokémon Go has taken over the world. People are wandering for miles on end, disrupting concerts, and even slamming into poles in their attempts to capture fantastical cartoon creatures. Ten years later, a new generation are flocking to another Pokémon-inspired game. Instead of Pikachu, Charizard and Blastoise, however, players are catching and training up their local politicians in order to build their own political parties. Some MPs are even catching themselves.


Star Fox 64, a game I loved in my childhood, is returning – but I have mixed feelings

The Guardian

Why are Nintendo releasing a straight-up remake of the space-flight shooter - with many of its original limitations - rather than a fresh new take? T he Nintendo 64 was not my first video game console, but it was my formative one. Getting to grips with 3D movement in Super Mario 64 with that weird three-pronged controller is one of my most visceral childhood memories; the long, wait for The Legend of Zelda: Ocarina of Time was the background noise to a huge chunk of my youth. But back in the 1990s (in the UK at least), it felt as if had an N64. When everybody had a PlayStation instead, I felt I was the only kid in my whole city who cared more about Banjo-Kazooie than Crash Bandicoot. If even Zelda seemed comparatively niche in Europe in the 90s, Lylat Wars (known elsewhere as Star Fox 64) was a real deep cut.