'As soon as we got Pong to work, people said: 'When are you going to do Doom?' a biological computer playing the 90s video game. 'As soon as we got Pong to work, people said: 'When are you going to do Doom?' a biological computer playing the 90s video game. A petri dish of human brain cells is currently playing Doom. Scientists in the US have uploaded a fruit fly to a computer simulation, while an Australian lab has taught neurons on a glass chip to play a 90s video game. How long before we are all living in a sci-fi movie? I t sounds like the opening of a sci-fi film, but US scientists recently uploaded a copy of the brain of a living fly into a simulation.

I t was March 2016, and at the Four Seasons Hotel in Seoul, the world was gathered to watch the culmination of a battle 2,500 years in the making. On one side was the South Korean Lee Se-dol, the second-highest ranking Go player in the world. On the other was AlphaGo - a computer program developed by London-based artificial intelligence research company DeepMind. "Chess is the greatest game mankind has invented," game designer Alex Randolph once said. "Go is the greatest game mankind has discovered."

I n rare quiet moments playing Marathon, you may find yourself overcome by the iridiscently pretty planet Tau Ceti IV. This fictional world seems to radiate a chemical glow: powdery pink skies and lurid green vegetation fill the screen alongside supermassive architecture emblazoned with ultra-stylish, neon graphic design. Yet enjoy the scenery for a split second too long and you might catch a bullet, causing your character to bleed an icky blue substance. In such moments, the camera locks - meaning you must stare down at their unceremonious expiry. Marathon's considerable beauty is matched only by its clinical brutality.

The revival of this 90s favourite is a retro-futuristic fever dream that is first incomprehensible, then thrillingly evocative. B ack in the mid-1990s, when I was a staff writer for Edge magazine, Marathon was our multiplayer shooter of choice. We all worked on Apple Macs, not PCs, so Bungie's sci-fi opus was one of the only networked shooters we could all play together. At the end of every day, staff from magazines around the company loaded it up and played for hours (usually with Chemical Brothers or Orbital blasting from the stereo). This was the era in which video games discovered club culture - Sony employed the legendary Sheffield studio the Designers Republic to create its box art and licensed the latest dance tunes for its marketing and game soundtracks.

Is surprise box-office hit Iron Lung the future of'video game films'? The YouTube gaming star's weird and divisive adaptation of his obscure horror film is a game within a film about a game - and hints at new directions for storytelling Don't get Pushing Buttons delivered to your inbox? S omething weird struck me early on while watching the movie Iron Lung, which has so far taken $32m at the box office, despite being a grungy low-budget sci-fi thriller adapted from an independent video game few people outside of the horror gaming community have even heard of. Set after a galactic apocalypse, it follows a convict who must buy his freedom by piloting a rusty submarine through an ocean of human blood on a distant planet. Ostensibly, he's looking for relics that may prove vital for scientific research, but what he finds is much more ghastly.

'It was like a phone call suddenly connecting' Ai Weiwei. 'It was like a phone call suddenly connecting' Ai Weiwei. 'Was I scared going back to China? He has been jailed, tracked and threatened by China's government. What was it like pay a visit home?

Requiem for a film-maker: Darren Aronofsky's AI revolutionary war series is a horror I f you happen to find yourself stumbling through Time magazine's YouTube account, perhaps because you are a time traveller from the 1970s who doesn't fully understand how the present works yet - then you will be presented with something that many believe represents the vanguard of entertainment as we know it. On This Day 1776 is a series of short videos depicting America's revolutionary war. What makes On This Day notable is that it was made by Darren Aronofsky's studio Primordial Soup. What also makes it interesting is that it was created with AI. The third thing that makes it interesting is that it is terrible.

'This train isn't going to stop': shocking Sundance film shows promises and perils of AI Is AI an existential threat, or an epochal opportunity? Those are the questions top of mind for a new documentary at Sundance, which features leading AI experts, critics and entrepreneurs, including Sam Altman, the OpenAI CEO, with views on the near-to-midterm future ranging from doom to utopia. 'The world is hurting right now': politics and protest hit the Sundance film festival The AI Doc: Or How I Became an Apocaloptimist, directed by Daniel Roher and Charlie Tyrell and produced by Daniel Kwan (one half of The Daniels, the Oscar-winning duo behind Everything Everywhere All At Once), delves into the contentious topic of AI through Roher's own anxiety. The Canadian film-maker, who won an Oscar in 2023 for the documentary Navalny, first became interested in the topic while experimenting with tools released by OpenAI, the company behind the chatbot ChatGPT. The sophistication of the public tools - the ability to produce whole paragraphs in seconds, or produce illustrations - both thrilled and unnerved him.

'Minecraft was my way in' The Traitors 2026 finalist Jade. 'Minecraft was my way in' The Traitors 2026 finalist Jade. 'I didn't have anything to prove': what Traitors finalist Jade Scott learned about survival from video games T he latest series of The Traitors, which ended last week on a nail-biting finale, featured some of the usual characters - from guileless extroverts to wannabe Columbos endlessly observing fellow contestants for the slightest flicker of treachery. But one faithful stood out for her quiet determination, despite a ceaseless onslaught of suspicion and accusation. That person was Jade Scott, and I wasn't at all surprised when, quite early on in the series, she revealed she was a keen gamer.

'I knew the readers were there' Zoe Hannah and Maddy Myers (right), co-founders of feminist video games website Mothership. 'I knew the readers were there' Zoe Hannah and Maddy Myers (right), co-founders of feminist video games website Mothership. I've been a games journalist since 2007, but still there isn't much video games coverage that feels like it's specifically for people like me. W hether you're reading about the impending AI bubble bursting or about the video game industry's mass layoffs and cancelled projects, 2026 does not feel like a hopeful time for gaming. What's more, games journalists - as well as all other kinds of journalists - have been losing their jobs at alarming rates, making it difficult to adequately cover these crises.